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I think my new favorite technical term is “flip flop”.  😀

Digital:  Sonore opticalModule > Uptone EtherRegen > Shunyata Sigma Ethernet > Antipodes K30 > Shunyata Omega USB > Gustard X26pro DAC < Mutec REF10 SE120

Amp & Speakers:  Spectral DMA-150mk2 > Aerial 10T

Foundation: Stillpoints Ultra, Shunyata Denali v1 and Typhon x1 power conditioners, Shunyata Delta v2 and QSA Lanedri Gamma Revelation and Infinity power cords, QSA Lanedri Gamma Revelation XLR interconnect, Shunyata Sigma Ethernet, MIT Matrix HD 60 speaker cables, GIK bass traps, ASC Isothermal tube traps, Stillpoints Aperture panels, Quadraspire SVT rack, PGGB 256

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1 hour ago, kennyb123 said:

I think my new favorite technical term is “flip flop”.  😀

 

They are cool--and highly effective. Especially the ones that we use. B|   These buggers now cost us $15.50 each!

(Used to pay $8.50 when I ordered 3K at a time. Those days are gone.  Even that big a buy now only gets us down to $12.50 each.) And don't get me started on the cost of Gigabit isolators or piles of LT3045/42 linear regulators...

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1 hour ago, Superdad said:

Those days are gone.  Even that big a buy now only gets us down to $12.50 each.) And don't get me started on the cost of Gigabit isolators or piles of LT3045/42 linear regulators...

I figured you wouldn’t be able to hit the same price point for the Gen 2 given how much more expensive everything is.  I have little doubt though that it will deliver a huge bang for the buck.

 

I’m thinking though that you should call the Gen 2 model the EtherFlipflop.  🙂

Digital:  Sonore opticalModule > Uptone EtherRegen > Shunyata Sigma Ethernet > Antipodes K30 > Shunyata Omega USB > Gustard X26pro DAC < Mutec REF10 SE120

Amp & Speakers:  Spectral DMA-150mk2 > Aerial 10T

Foundation: Stillpoints Ultra, Shunyata Denali v1 and Typhon x1 power conditioners, Shunyata Delta v2 and QSA Lanedri Gamma Revelation and Infinity power cords, QSA Lanedri Gamma Revelation XLR interconnect, Shunyata Sigma Ethernet, MIT Matrix HD 60 speaker cables, GIK bass traps, ASC Isothermal tube traps, Stillpoints Aperture panels, Quadraspire SVT rack, PGGB 256

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On 3/4/2024 at 4:55 AM, Superdad said:

ultimately we are trying above all to benefit the DAC-attached endpoint (or Ethernet-input-equipped DAC) with the best signal. And for a variety of reasons that is generally always going to be the 'B' port.

After 24 hrs of cable etc 'settling' (or whatever) and them another few hrs including a bit of tweaking and listening, I think that Side A server Side B towards endpoint is best ... but of course you will not be surprised.  So extra reclocking doesn't seem superior to Side B.

 

On 3/4/2024 at 4:55 AM, Superdad said:

special reclocking flip-flops.  So both are needed.

Both are needed to get the Side B result, but the point I was making is the flip flops are what sets ER design apart from typical isolation that doesn't.

On 3/4/2024 at 4:55 AM, Superdad said:

Paul McGowan officially confirmed that they are NOT using optical digital isolators in the AirLens

My mistake, I was sure I has heard or seen that they are.  In a Youtube Paul 'vaguely' mentions RF .  He also implies it is extremely rare for a streamer to isolate its output stage - maybe he hasn't seen Auralic, Aqua ...

2 hours ago, JohnSwenson said:

I was there for 33 years and it all started with a flipflop.

That's flipping amazing, you're a flopping genius!

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6 hours ago, dbastin said:

Both are needed to get the Side B result, but the point I was making is the flip flops are what sets ER design apart from typical isolation that doesn't.


Sure. But as far as I have seen, there are NO other switches on the market putting Ethernet through digital isolators at all. B|

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  • 4 months later...
On 7/21/2024 at 1:46 AM, audiophilac said:

@Superdad got a question to FMCs, are two clocks needed. one for the ethernet signal and another for the fibre optic transceiver or can a single clock work for both?

 

Sorry, but your question is not clear to me:

a) Do you have FMCs that take an external clock? (If so what model?)

 

b) Or are you just trying to understand what clocks are internally used in an FMC? (You say: "one for the ethernet signal and another for the fibre optic transceiver...")

 

If you are asking about "b)" above, then I can explain this:  

The actual fiber optic to electrical wire transceiver parts in an optical SFP module do not have any clock.  The LVDS signals at the edge connector in the back of an SFP cage always feed into either an Ethernet switch chip or a Ethernet transceiver chip. Those chips will ALWAYS require a 25.0MHz clock of some sort (in typical FMCs that's just a $0.50 oval crystal.).

 

If you actually have an FMC that accepts a 10MHz external clock (then the FMC must internally synthesize that to 25.0MHz)--maybe it is just a switch that has SFP cages and takes external clock--then your question about using a single clock for two devices depends upon:

a) Is it one clock with two outputs--and are those outputs properly isolated?;

b) Is there some sort of isolation "moat" between the "ground" domains of the two devices you are wanting to use a single clock with? (i.e. is an EtherREGEN involved?)

c) What is the order and arrangement of connection between what you are calling the "FMCs?"

c) What are the power supplies in use--are they sharing DC side -Ve/zero-Volt "ground?"

 

As with so much in audio (and life), accurate answers are best obtained when the questions have context and detail. 9_9

Thanks,

--Alex C.

 

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